Entry tags:
First Stanza - [Action & Voice]
[Action, Locked to Willow]
[A few moments before Spike arrived, he and Illyria had just escaped most of the main action and a great big bloody dragon come out of nowhere. He'd lost track of Angel and Gunn. Wesley was dead. So now it was just the two of them. Until Spike suddenly came to the surface of the river, cursing as he suddenly started burning and then swimming back underwater again until he could hide under the shade of the bridge. A bloody tiny bridge. And here he was with only a pair of white pants, now failing to hide much of anything, as he ended up STUCK in this tiny shadow. There was a book in the sunlight that was just out of reach. As the day passed on, it continued to get further away from him as the sun shifted the shadows further and further away.
What bollocks.
He decided he'd just wait until the first person came across the bridge and get their attention. That ought to do it.]
[Action/Voice, Open To All]
[Well, Willow took him 'home'. And he rather decided he liked it. Of course, a vamp can't make himself good and comfy without the proper accouterments. So after taking a nice long shower in House Seven, perusing the kitchen, and no doubt making his new housies terrible uncomfortable, he makes his way out as soon as it's evening. In his New Feather pants at first, because what else was there? But his first stop is the clothing store and he's soon back into slimming back. And then it's off to pick out a fancy weapon, get some blood at Good Spirits, find some smokes, recollect his lighter, and then snoop around town because he knows a certain old flame is around here.Not you, Buffy.
Around midnight, he hits up the journal after finally recollecting it from beside the bridge.]
This is a nice little village you lot have here. Very cozy. Has a certain quality to it, you might say. Very Shyamalan-type setting. Too cheerful. Downright unsettling, if you ask me.
Anyway, who do I talk to for the big plan? I've done my sitting around already. Relaxing, sure. Not too fond of the wings. Too ironic for my taste. But I'm ready to go and find the wankers who locked us up in here and do something about it. Champion of the people, right here. Just point me in the right direction.
[A few moments before Spike arrived, he and Illyria had just escaped most of the main action and a great big bloody dragon come out of nowhere. He'd lost track of Angel and Gunn. Wesley was dead. So now it was just the two of them. Until Spike suddenly came to the surface of the river, cursing as he suddenly started burning and then swimming back underwater again until he could hide under the shade of the bridge. A bloody tiny bridge. And here he was with only a pair of white pants, now failing to hide much of anything, as he ended up STUCK in this tiny shadow. There was a book in the sunlight that was just out of reach. As the day passed on, it continued to get further away from him as the sun shifted the shadows further and further away.
What bollocks.
He decided he'd just wait until the first person came across the bridge and get their attention. That ought to do it.]
[Action/Voice, Open To All]
[Well, Willow took him 'home'. And he rather decided he liked it. Of course, a vamp can't make himself good and comfy without the proper accouterments. So after taking a nice long shower in House Seven, perusing the kitchen, and no doubt making his new housies terrible uncomfortable, he makes his way out as soon as it's evening. In his New Feather pants at first, because what else was there? But his first stop is the clothing store and he's soon back into slimming back. And then it's off to pick out a fancy weapon, get some blood at Good Spirits, find some smokes, recollect his lighter, and then snoop around town because he knows a certain old flame is around here.
Around midnight, he hits up the journal after finally recollecting it from beside the bridge.]
This is a nice little village you lot have here. Very cozy. Has a certain quality to it, you might say. Very Shyamalan-type setting. Too cheerful. Downright unsettling, if you ask me.
Anyway, who do I talk to for the big plan? I've done my sitting around already. Relaxing, sure. Not too fond of the wings. Too ironic for my taste. But I'm ready to go and find the wankers who locked us up in here and do something about it. Champion of the people, right here. Just point me in the right direction.
no subject
no subject
no subject
no subject
Doesn't seem so unlikely to find one of D'Hoffryn's lackeys hiding behind a tree trunk."
no subject
no subject
And then -- pointedly: "No co-Slayers."
no subject
no subject
And Melaka had as good as confirmed that the source of such a disruption had, indeed, been Buffy.
"But I guess such a victory can only last so long."
no subject
no subject
Really. Complaining about longevity in front of a Slayer.
no subject
no subject
Yes -- it had been. Or at least it had been a very flattering fact. And she very well knew so.
no subject
And for her. But he was cross with her. Couldn't be giving her compliments now, could he?
no subject
"That was quite the fell swoop." At the memory, her palm burned. Watching fire creep over his body hadn't been the most pleasant experience -- but damn her if it wasn't triumphant. "Y'know, you in Sunnydale's ninth hour."
Aha. And now they'd finally found their way there. The sacrifice. The heroism. The walnut at the centre of so much of this tension.
no subject
"I always did want to make a classy exit. Seemed more fitting to take a great bloody hellmouth with me and than to end up a pile of dust."
no subject
And -- amazingly -- it did get easier to admit with repetition. Or perhaps she was finally growing graceful in her late twenties.
"...Thanks. For that. Maybe you didn't know what you were getting into when you put it on but -- thanks."
no subject
"Right. Well. I'd do it again. Though I'd prefer not to."
no subject
Whatever it was, it made him part of the club. Self-sacrificers Anonymous. It wasn't a bond to be taken lightly, especially not with her own life and the lives of her sister and her friends riding upon what Spike had accomplished. In a very real way, she owed him everything.
Still -- that didn't make him any more bearable or her any less disconnected. Spike would have his singular glimpse of sincere affection and then she would go back to being what she always was: the Slayer.
"You're not allowed. Can't abide anyone beating me on the death score. We're tied, now. Deal with it."
no subject
There was quite the parallel there. She'd been killed by the Master. He'd been sired by the progeny of the same vampire. And they both sacrificed everything, but all for the sake of one person. It was poetic.
"Well, I don't much care for dying, so even if it is. But now that you're being grateful like, seems now's a good time to tell you I ran across the other Slayer."
no subject
"And just how well did that not go?"
Faith? Not a welcome-mat kinda gal.
no subject
no subject
God. For once, she could almost feel a kind of envy for Faith bubbling up to the surface. The quote-unquote bad Slayer got to get her violent rocks off whenever she so pleased. Meanwhile, Buffy was struggling on a semi-weekly basis just to keep her own more aggressive urges in check. Because although she didn't want to throw a punch at Spike, she sorta wanted to want to.
no subject
And Spike was an idiot and just assumed she went evil again.
no subject
It was complicated enough just to discuss neutral topics with Faith Lehane. "She hasn't yet come around to the whole Buffy's not out to murderize her truth yet. Kinda hard to clear your name when I can't even clear my own."
Obviously, it put a strain on her to be viewed so barbarously -- even if Faith was the one doing the viewing. There was little Buffy liked less than being figured as a killer.
no subject
"Bloody good timing of the Malnosso then, plucking her out of prison. Would it have killed them to wait a bit?"
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/4
2/4
3/4
4/4
(no subject)
(no subject)
(no subject)
1/2
2/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/3
2/3
3/3
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
that's totally a curtain rod in this icon